Fiction as a Break from Uncertainty

a torn cubist painting of a farmland landscape

A couple of weeks ago I recommended Rory Sutherland’s book, Alchemy. The Surprising Power of Ideas that Don’t Make Sense. One of the big challenges it raised was uncertainty and how strongly people avoid it, being willing to embrace a less good certainty rather than risk a possibly brilliant uncertainty. Moreover, we will pay more (and remember that payment is more than money. It includes our time and effort) for certainty.

I have thought and thought about this, particularly in relation to novels and publishing, and my conclusion (or one of them) is that novels’ appeal is that they connect us with people in a meaningful way.

In real life people’s actions often don’t make sense. Sometimes they confound us. But in a well-crafted novel, people are explicable. This is incredibly relaxing. It soothes us emotionally because the cognitive dissonance of real life, of people saying one thing and doing something else and us not understanding WHY is removed. There can be a degree of uncertainty in a novel, we can even revel in a complicated plot that leaves us with questions, but fundamentally we engage with a novel because we trust in its ability to reduce the uncertainty of life to a meaningful story.


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Comments

8 responses to “Fiction as a Break from Uncertainty”

  1. Carrie Wassenaar Avatar
    Carrie Wassenaar

    Yes! Yes yes yes, I completely agree with you. I also think that the need for a story that leads us through to a satisfying conclusion gets stronger depending on the general state of society. Like, the more uncertain the world is, the more we all feel a bit tossed around on the stormy waves, the more we all want stories that help us escape. Stories where there is a clear good and bad, and good wins in the end. It’s why Gone With the Wind dominated the cinemas through the Great Depression, and it’s why LOTR dominated post 9/11. Society looks to stories for escapism when the world is a widespread source of stress.

    Honestly, right now I find myself doing more rereading than usual, because I don’t have the emotional fortitude to be surprised by a new story that doesn’t end well, or that tortures the lead characters, or etc. I need to know I’m on a ride that comes in for a safe landing. I wasn’t like that 10 years ago, but I definitely am right now.

    1. Jenny Schwartz Avatar

      Did you just feel an enthusiastic back slap? I’m normally exceptionally respectful of personal space, but your comment on LOTR was such an eye-opener I got over-excited. I’d thought of Gone With the Wind as a reaction to the Great Depression, but LOTR and post 9/11 … how did I miss this? And then, Palantir and… I am thinking so hard now my brain is smoking 🙂

      And like you, I’m doing a lot of re-reading these days.

      1. carriebeanbfe7fd85b0 Avatar
        carriebeanbfe7fd85b0

        I did feel it! Yay!

        I am maybe more aware of it because I work in the entertainment industry. The trend towards fantasy and superheroes post 9/11 was a huge, driving thing – people wanted escapism and they wanted heroes. They wanted a bad guy that could be identified and stopped. It isn’t that there can’t be strife – we like our heroes to work for it – but we have to know that good can win the day. Aragorn will be king, Frodo and Sam will destroy the ring (inspiring friendship between them being a huge bonus), and the Avengers will stop the alien invasion to save New York City.

        1. Jenny Schwartz Avatar

          It’s interesting how much moral authority went to fictional characters. Maybe it’s part of being human, to look for someone who will guide/save us. But I’m watching with a degree of dread as to who (what type of character) will be presented as a hero five years from now. (I tried, but I couldn’t resist adding cynically, I bet it won’t be a woman).

          1. carriebeanbfe7fd85b0 Avatar
            carriebeanbfe7fd85b0

            Yeah, that’s the downside of leaning in to traditional fantasy – the women were generally not the heroes, they were the damsels. *sigh* This is why I read a lot – if you want a strong female fantasy hero, books are your best bet. I just re-read T.A. White’s Firebird, and Michelle Sagara’s Chronicles of Elantra, for a bit of a fix.

            I think that unless the world gets dramatically more stable (not likely), there will still be the desire for classic heroes in our escapism – simple, black and white stories where good is good, bad is bad, and good always wins. There’s more nuance, of course – for LOTR, I think part of the draw was this disparate group of people who mostly didn’t even like each other much, coming together for common cause and forming this beautiful bond of fellowship to stop the rise of evil.

            But there has more recently been a trend towards the more reactionary heroes that I think represent the scary place our society is in, mentally, right now. I’m talking about the “burn it all down” heroes like in One Battle After Another or The Punisher. They’re reflecting a level of discontent at our foundations, that’s bubbling up and lashing out.

            1. Jenny Schwartz Avatar

              I despise the “burn it all down” so-called hero and especially when they’re presented as morally good. “Kill everyone and let God sort it out” thinking is like slapping angel wings on a murderhobo and saying “fixed it!”. And yeah, that seems to me, too, where a significant portion of media is headed.

              Fortunately, we can always re-read TA White 🙂 I wish Stacey Keystone was still writing because I also re-read her Alchemist series a lot.

              1. carriebeanbfe7fd85b0 Avatar
                carriebeanbfe7fd85b0

                Yeah, it’s a level of cynicism that rarely works for me, and I think it’s more reflective of how extreme our society has gotten.

                I do like the current Punisher, though, mostly because he’s NOT presented as a hero. The actor (Jon Berenthal) has spent a lot of time talking about it, and trying to rebuke people who hold Punisher up as a hero. He says the character is one that is very sick, suffering from PTSD, and the story is more of an indictment of how governments abandon their veterans without giving them the tools to cope. I have a lot of military in my family, and so I respect that perspective a lot. But generally, I despise the “burn it all down” heroes, and avoid those stories, as I feel like they are just pouring fuel on the fire of extremism…something we really don’t need. I’m afraid of people watching stuff like One Battle After Another or The Joker and thinking “he’s right. that’s what we need!” *shudder*

                Thanks for the rec! I haven’t heard of that series before, but I just snagged the first book – it looks awesome!

                1. Jenny Schwartz Avatar

                  I hope you enjoy the series (and can join me in wishing for it to be completed – though there’s no cliffhanger, so it’s okay).

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